Never let it be said that this movie in German is guilty of too much subtlety. Heavy and oft repeated use of anything stark and obvious seems to be the rule. Even the little pipe harmonium in the village church that plays like something in Vienna's Stephansdom is way too much, as are the opening scenes flying over the Alps (Where is Julie Andrews when you need her?) first backwards then vorwärts. And not only one, but several actors with Down Syndrome are on display to demonstrate the theme of inbreeding that lies over this film like a soggy blanket (a remote Austrian village as the setting for Deliverance II?). And what would a story like this be without the recurring mention of (shudder) Original Sin?
The novel has none of these cheesy features. It is written in a straightforward manner, albeit with a strain of sentimentality common in popular German language fiction. As many have already commented, somebody apparently convinced the author that, when it comes to cinematic versions, more is better. Too bad. 4 of 10.
The novel has none of these cheesy features. It is written in a straightforward manner, albeit with a strain of sentimentality common in popular German language fiction. As many have already commented, somebody apparently convinced the author that, when it comes to cinematic versions, more is better. Too bad. 4 of 10.