Many people will consider this movie esthetically old-fashioned, and they are pretty right to do so; even the acting seems to be from a film of the 50s or 60s, not from a contemporary work. But there is something in the very, very simple construction of the plot that remains moving, still when considers the anachronistic schematism: tradition vs. experiment, home-sweet-home vs. great world, tenderness vs. passion, field work vs. art, etc. - The point is that this story is still tragic. Although very improbable that it could happen, just as this simple, nowadays, as a "model" it preserves certain strength. 6 out of 10.
Review of A Loss of Innocence
