Review of Alegría

Alegría (1999)
Neither Allegory nor Alegria
14 January 2001
The breathtaking imagery and vibrant characters of Alegria the live show are abandoned by its director, Franco Dragone, who misguidedly reinvents it from the ground up for this movie. The result is NOT Alegria (only tantalizing, tiny glimpses of the live experience are seen). Instead a clumsy "story" is grafted on to its delicate artistry, set in an unconvincing "real" world which blurs rather than expands the boundaries of Cirque Du Soleil. By introducing new characters far less compelling than the original stage stars (what must they have made of this betrayal?), Dragone seems to have decided to "explain" Alegria's purpose. This is like explaining a joke - the result falls flat, its poetry and clarity of purpose are muddied - or worse, articulated by characters not so much conversing as making speeches to each other. Thus the skills of a mime of genius like Rene Bazinet are fatally compromised. One of the strengths of the show Alegria was that its language was that of athletic and balletic grace, exquisite mime and haunting music. There was no dialogue, which freed it from political boundaries. This is why the show was a huge international hit and this movie was not. Here the engaging grotesques are firmly separated from ourselves, the audience. The twilight magical world we thought they occupied is revealed to be the cheap side of town. They speak dialogue with little wit or poetry. There is a half hearted attempt to design a skewed reality outside the Big Top but the magic is overwhelmed by a welter of bad ideas and sugary emotion and lovers of Alegria the show are underwhelmed as a result. Truly this should not have been released
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