Alan Clarke's film introduced us to a powerful new talent in Ray Winstone. Undeniably brutal but an allegory on the worship of simple governance by power. This film, coupled with another film, "Made in Great Britain" with Tim Roth was an indictment of the Thatcher type anti-society policies. Ray Winstone builds his part slowly, gathering power and authority during his stay in the institution and is climaxed when he says "who's the daddy now?" It was such a powerful performance that I always wait with anticipation his next outing and have rarely been disappointed.