Nanni Moretti's deserved winner of the Palme D'Or was a controversial choice, if only because it is a film grounded in reality and truth. We know these characters for a change, they are the neighbours whom we fear approach because of their loss and raw pain.
Moretti, in his subtle yet magnificent performance and in his deft, assured direction, has crafted a film which transcends cliche and sentimentality in spite of its well trodden subject matter. As in his earlier effort, 'Caro Diario' the viewer is held transfixed by his languid cinematic storytelling, which is nonetheless riveting.
Without resorting to pat endings or easy solutions to the characters' individual suffering (beautifully rendered by each of the performers, whose roles portray distinct yet relevant facets of grief) the film manages a redemption in unexpected, yet highly satisfying, fashion. I left the screening at the Toronto International Film Festival feeling completely exhilarated and grateful to this natural filmmaker.
A beautiful portrait of true, real emotion.
Moretti, in his subtle yet magnificent performance and in his deft, assured direction, has crafted a film which transcends cliche and sentimentality in spite of its well trodden subject matter. As in his earlier effort, 'Caro Diario' the viewer is held transfixed by his languid cinematic storytelling, which is nonetheless riveting.
Without resorting to pat endings or easy solutions to the characters' individual suffering (beautifully rendered by each of the performers, whose roles portray distinct yet relevant facets of grief) the film manages a redemption in unexpected, yet highly satisfying, fashion. I left the screening at the Toronto International Film Festival feeling completely exhilarated and grateful to this natural filmmaker.
A beautiful portrait of true, real emotion.