I'm a big fan of Gwyneth Paltrow whom I regard as an actress of rare talent and beauty so, in spite of many reviewers being parsimonious in their praise for this film, I ventured out to London's Leicester Square to make my own judgement and did not regret it. Following her performances in "Emma", "Sliding Doors" and "Shakespeare In Love", for the fourth time Paltrow adopts an impeccable English accent.
This time she plays an academic specialising in the work of an obscure 19th century poet called Christabel LaMotte (Jennifer Ehle, whom I enjoyed in "This Year's Love"). She is approached by an American researcher, Roland Michell, played by a permanently unshaven Aaron Eckhart, who has discovered a possible romantic connection between LaMotte and fellow poet Randolph Henry Ash (Jeremy Northam, last seen in that other costume drama "Gosford Park"). It turns out that Ash's marriage has no physical side (for reasons which are not explained), while LaMotte's lesbian relationship may not be as exclusive as was thought.
All this sounds more raunchy that it is. There is in fact little sex and no nudity at all on show; yet director Neil LaBute ensures that sensuality imbues scene after scene. Set against the unusual locations of Lincoln and Whiteby, the modern-day academics retrace the steps of the two poets both physically and romantically in cross-cutting scenes that reminded me of the structure of "The French Lieutenant's Woman". If you're a pubescent popcorn-guzzler, you'll hate this movie and find it terribly slow and literary (it is based on the Booker Prize-winning novel by A S Byatt); on the other hand, if you'd like something different from the usual mindless, blockbuster fare, you'll probably find this a refreshing change.
This time she plays an academic specialising in the work of an obscure 19th century poet called Christabel LaMotte (Jennifer Ehle, whom I enjoyed in "This Year's Love"). She is approached by an American researcher, Roland Michell, played by a permanently unshaven Aaron Eckhart, who has discovered a possible romantic connection between LaMotte and fellow poet Randolph Henry Ash (Jeremy Northam, last seen in that other costume drama "Gosford Park"). It turns out that Ash's marriage has no physical side (for reasons which are not explained), while LaMotte's lesbian relationship may not be as exclusive as was thought.
All this sounds more raunchy that it is. There is in fact little sex and no nudity at all on show; yet director Neil LaBute ensures that sensuality imbues scene after scene. Set against the unusual locations of Lincoln and Whiteby, the modern-day academics retrace the steps of the two poets both physically and romantically in cross-cutting scenes that reminded me of the structure of "The French Lieutenant's Woman". If you're a pubescent popcorn-guzzler, you'll hate this movie and find it terribly slow and literary (it is based on the Booker Prize-winning novel by A S Byatt); on the other hand, if you'd like something different from the usual mindless, blockbuster fare, you'll probably find this a refreshing change.