After the introspective FOLLOW, Guy Ritchie's STAR is a complete 180-degree turn away in terms of style, mood and subject. Fortunately, it's a roaring success.
Clive Owen showcases a previously unseen facility for comedic timing. From his mock innocence as the Star berates him to a later moment when he says with tongue firmly planted in cheek, "I've think we've lost them.", Owen is a delight in this charming little revenge fantasy for those who have had to put up with rude, insolent customers in their line of profession.
Ritchie directs the film pretty much as an extension of the style he used in SNATCH and LOCK, STOCK, & 2 SMOKING BARRELS. All his trademarks are here; Freeze frames, voice overs, and gratuitous use of English pop songs. Combined with the fact that yes, as everyone now knows, that's his wife Madonna as the Star who gets her fateful comeuppance, and the film ends up being the most crowd-pleasing of the series. Highly recommended.
Clive Owen showcases a previously unseen facility for comedic timing. From his mock innocence as the Star berates him to a later moment when he says with tongue firmly planted in cheek, "I've think we've lost them.", Owen is a delight in this charming little revenge fantasy for those who have had to put up with rude, insolent customers in their line of profession.
Ritchie directs the film pretty much as an extension of the style he used in SNATCH and LOCK, STOCK, & 2 SMOKING BARRELS. All his trademarks are here; Freeze frames, voice overs, and gratuitous use of English pop songs. Combined with the fact that yes, as everyone now knows, that's his wife Madonna as the Star who gets her fateful comeuppance, and the film ends up being the most crowd-pleasing of the series. Highly recommended.