Beautiful, glamorous, fading singer Angela Arden (Charles Busch) is miserable. Her horrible husband is making life hell; her daughter Edith (Natasha Lyonne) loves daddy--too much; her son Lance (Stark Sands) is gay and into drugs; her lover Tony Parker (Jason Priestley) is sleeping with her and Edith and Lance....Angela suffers exquisitely.
A parody and a loving remake of the womens pictures made from the 40s up to the 60s. Busch (a man in drag) looks perfect and suffers constantly; the settings are beautiful; the dialogue high camp; everybody and everything looks picture pretty...even the flashes of (male) nudity and sleazier aspects are handled in a very "pretty" fashion. Also it includes some hilariously obvious back screening. This works beautifully because the whole cast plays it straight--there's no winking at the camera or overacting. Busch is just great in his role--he evokes Susan Hayward and Joan Crawford at their best. Lyonne and Sands are having a fun time as her seriously disturbed children--especially Sands. And who ever though Priestley could be such a great actor. He plays everything straight-faced beautifully. Also there are a TON of film references for film buffs.
My only complaint--and this is minor--is the color isn't as bright and strong as it should be. It seems kind of washed out.
That aside this is really a great film. A must for gay men and film buffs.
A parody and a loving remake of the womens pictures made from the 40s up to the 60s. Busch (a man in drag) looks perfect and suffers constantly; the settings are beautiful; the dialogue high camp; everybody and everything looks picture pretty...even the flashes of (male) nudity and sleazier aspects are handled in a very "pretty" fashion. Also it includes some hilariously obvious back screening. This works beautifully because the whole cast plays it straight--there's no winking at the camera or overacting. Busch is just great in his role--he evokes Susan Hayward and Joan Crawford at their best. Lyonne and Sands are having a fun time as her seriously disturbed children--especially Sands. And who ever though Priestley could be such a great actor. He plays everything straight-faced beautifully. Also there are a TON of film references for film buffs.
My only complaint--and this is minor--is the color isn't as bright and strong as it should be. It seems kind of washed out.
That aside this is really a great film. A must for gay men and film buffs.