Review of Rembrandt

Rembrandt (2002)
8/10
Well-made crime-comedy with an edge
14 October 2003
Going to see this was a bit of a gamble for me. I didn't feel convinced that this film would be worthwhile, based as it is on a funny, but not terribly dramatic news story about the robbery of a Rembrandt painting. I was, in the end, positively surprised, even at Lars Brygmann's unusual role which I would have thought was out-of-character for him.

In fact, director Jannik Johansen has made a very strong and convincing story from the actual event which inspired him. The fact that the robbers stole the Rembrandt by mistake rather than by intent proves a good starting point for a comic screenplay full of surprise, distrust and, eventually, disappointment. The latter is no spoiler, for it is almost a given that a Danish crime plot on film will not depict the problem-free victory of the crooks, but rather the opposite. "Rembrandt" might, as such, remind many viewers of the famous "Olsen-Banden" series.

Actors which work well in a comic, but also dramatic and personal setting are instrumental here. The film succeeds very well, especially with before-mentioned Lars Brygmann, the super-expressive Nicolas Bro and the bold, young Jacob Cedergren for whom this is the first major film role since his breakthrough in the TV series "Edderkoppen". Nikolaj Coaster-Waldau is all right as the fourth gang member, but his part lacks perspective and importance, in part due to the fact that the ending of the film doesn't involve his character adequately. Søren Pilmark, Sonja Richter and Paprika Steen are the most noteworthy of the additional cast, all in solid performances.

Rembrandt is not by any means a revelation, nor does it attract much attention for cinematography or additional crafts, but it works on all levels and, notably, successfully adds a serious and personal angle to its humour.
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