Chalte Chalte is no doubt a fully fledged Bollywood commercial venture with top stars, exotic foreign locations, expensive sets, colourful dances and melodious songs but at the same time it's a daring experiment in many ways. First of all, the story defies the set rules of development and plot construction: the boy and girl get married very early in the story and seemingly there is no emminent danger to their "living happily ever after" and at a time when you are expecting some external factors to pop up and spoil their happy marriage, the talented writer manages to create an effective and convincing internal conflict to keep the story within its logical confines. Secondly, the flash-back technique is used very intelligently: not merely for the sake of breaking the linear order of events, but to release the desired information in well calculated bits and pieces, inserted at the most appropriate places. Thirdly, the minor characters are so fully developed and so painstakingly dealt with that it reminds you of the great masters of characterisation in the Russian classics. It's a common observation in the Bollywood movies that the hero's friends or the heroine's female friends never match them in personality, performance or screen presence. The reason being two-fold: you can not financially afford to hire a good actor for a minor role and big stars are not available for minor roles anyway. The producer of Chalte Chalte however has manage to tackle this problem very successfully. He has hired a whole bunch of fresh faces...God knows from where?...and made them do exactly what was required. For the first time perhaps the status of a hero's minor friend has risen above an extra boy.
Finally I should pay tribute to Johny Leaver, who in his mellow role of a failed lover, has busted his own cliche of a jabbering clown.
Finally I should pay tribute to Johny Leaver, who in his mellow role of a failed lover, has busted his own cliche of a jabbering clown.