Following up "Blue" and White", "Red" is the most complete and satisfying entry in Kryzysztof Kieslowski's Colors Trilogy, improving upon the weaknesses of the other two.
The story involves an odd friendship that develops between a young fashion model and a reclusive retired judge when she accidentally hits his dog with her car. The essential theme of the film(as in the other Colors)is the mysteries and subtle complications involved in human relationships, and in the ways that we are all interconnected with one another. Kieslowski ties this up at the climax, with a move that links together all his films.
The film's color scheme, and the strong visuals help support the meditative story. "Red" is the last, and the best.
The story involves an odd friendship that develops between a young fashion model and a reclusive retired judge when she accidentally hits his dog with her car. The essential theme of the film(as in the other Colors)is the mysteries and subtle complications involved in human relationships, and in the ways that we are all interconnected with one another. Kieslowski ties this up at the climax, with a move that links together all his films.
The film's color scheme, and the strong visuals help support the meditative story. "Red" is the last, and the best.