I feel many writers and critics, David Sterritt, Donald Spoto to name but two are too dismissive of this movie. With the technological restrictions of the very early talkie, Hitchcock as used his artistry to compose fluidity and cinematic suture to a rather stolid Galsworthy play. Already mentioned are the innovative zip pans, he also has intelligent use of dissolve, symbolism aplenty within montage sequences, sheep v horn (Hillcrest v Hornblower). The juxtaposition in the opening sequence of the car and the horse sets the theme beautifully. Occasionally there is daring reverse shots of the same objects defying the 180 degree rule, especially noticeable as we break into the proscenium arch of theatre.
Review of The Skin Game
