Cruz is never less than fascinating as the witless, kind, determined Italia. As in Monster (Charlize Theron), part of the fun comes from watching a celebrity actress become almost unrecognisable. With her badly-applied mascara, trailer-trash blonde highlights, sluttish mini skirts and thrift-shop synthetic tops, with her stiff, bandy-legged high-heel waddle and her rag doll floppiness when passion threatens, she is an entirely believable denizen of the urban and social borderlands. The film is a triumph, and it would have been interesting to see if Penelope Cruz would have beaten the other Oscar nominess had the film been release in the USA last year.