I find it interesting to discover so many comments on a 26-year-old film. I guess it's a sign of a quality production if it's still touching people. From here in the heart of the disappearing textile industry, Norma Rae rings truer than true. The first time I saw the movie, it was like looking out the window of my three-room mill house and seeing my neighbors. When Normae Rae is in the bar discussing her husband's death, she was a carbon copy of one of my friends -- swigging beer and having sex to forget about the problems of life. The reaction of people to the union was so typical. Most people didn't and still don't want to hear anything about it, afraid it would lead to a shut-down.
Finally, a commentary on the 2004 review by jslack. For the most part, I agree with it. But not about Ron Leibman being either miscast or unattractive. I'm curious to know if jslack is a man or a woman. Of course, Leibman of 1979 is not classically handsome, but he has a bearing and charisma that is almost breathtaking. I can't imagine anyone else in the role. The point is his difference, that he's not the same as all the cookie-cutter good old boys. This is not an affair of bodies or even hearts. It's an affair of the minds.
Finally, a commentary on the 2004 review by jslack. For the most part, I agree with it. But not about Ron Leibman being either miscast or unattractive. I'm curious to know if jslack is a man or a woman. Of course, Leibman of 1979 is not classically handsome, but he has a bearing and charisma that is almost breathtaking. I can't imagine anyone else in the role. The point is his difference, that he's not the same as all the cookie-cutter good old boys. This is not an affair of bodies or even hearts. It's an affair of the minds.