In the small village where he lives, Masht Hassan is well-known because he owns the only cow. Needless to say he is very protective of the animal and treats it like the child he and his wife do not have bathing, feeding and playing with it; his main worry is that the neighbouring Boulouris will come in the night and steal it away. However while he is away one day, the cow starts to bleed from the nose and die faced with having to tell him it is dead, the villagers bury the body and agree to tell him it has strayed. When Hassan returns he cannot believe it and soon is spending nights on the roof of the barn waiting for it to return, part of a gradual spiral downwards with no end Considered to be one of the landmark films in the history of Iran as a force as a film producing nation, this will be a harder sell to Western audiences (myself included) who perhaps cannot understand the context of the story and some of the deeper meaning that, I assume, this story has. The plot is simple and it seems to show the mental decline of Hassan and the village's collective inability to deal with that within the confines of daily life. In painting a realistic picture of village life (the film was shot using a mix of actors and real villagers) the film maintains an interesting setting even if the development is rather slow and unsatisfying. It requires you to think of course, but I didn't think I had the knowledge to really appreciate it and I suspect that many other viewers will struggle for the same reason.
The stark direction is good but I'm not sure if it suited the material as I would have preferred a washed out colour to compliment the sentiment in the film. It worked though and the performances are mainly good Entezami in particular convincing in his slide into instability. Worth seeing because of its stature within Iranian cinema then, but perhaps you need a greater understanding of the culture than I if you are to take more from it. Even still it is interesting in its view of village life and the attitude towards mental illness.
The stark direction is good but I'm not sure if it suited the material as I would have preferred a washed out colour to compliment the sentiment in the film. It worked though and the performances are mainly good Entezami in particular convincing in his slide into instability. Worth seeing because of its stature within Iranian cinema then, but perhaps you need a greater understanding of the culture than I if you are to take more from it. Even still it is interesting in its view of village life and the attitude towards mental illness.