The first story is about a little girl Hava wanting to play with Hassan. Hava checking for the shadow of the stick every once in a while, speed of exchange of the lollipop between Hava and Hassan, as time draws to a close, are all captured elegantly and matter-of-factly, on film. The boys setting off with the chador as sail and Hava being taken away by her mother are very poignant scenes, perhaps indicative of the freedom that males enjoy compared to the restrictions imposed when a girl becomes a woman.
The second story is about a girl (around 20'ish) by the name Ahoo cycling herself away from all the societal strings imposed on her. The camera work is stunning, to say the least, beginning with the deer and pigeons that get scared by the animated shouting of the man mounted on a horse galloping at tremendous speed, until he comes up on the hordes of young girls, riding bicycles. The black of the burqa contrasts with the deep blue of the ocean. The bursts of speed that Ahoo gets are probably symbolic of the dollops of energy that Ahoo gets on successfully ignoring the pleadings of her husband, the priest, her father and her tribe.
The third story is about an old lady with a horde of boys gorging on a shopping spree. The comedy in the portrayal does not dilute the impact of the statements of the lady that she had all along wanted to enjoy life and that "they" did not let her. The music, the merry making of the boys on the beach and the caring black boy all enmesh well into the script. At the end, as expected, the director tries to interweave Hava and Ahoo into the old lady's story. But, it is commendable that this is done without any pretext or justification, with the director careful about not trying to give any "answers", so to speak. The name of the old lady Hoora being revealed at the fag end of the movie compared to Hava and Ahoo being revealed in the very first scenes, is also striking.
To me, it seemed as if the director was trying to say that the process of denial starts with a girl becoming a woman (story of Hava), and all her life, she tries to escape from the trappings imposed by the society, ultimately she may not be successful in this (story of Ahoo). Finally, it is when one is as old as one can get, that a woman is able to enjoy whatever she dreamt of, all her life (story of Hoora). By then, she does not have anyone to enjoy these with, and is beginning on the journey towards completion and fulfillment of life.
The second story is about a girl (around 20'ish) by the name Ahoo cycling herself away from all the societal strings imposed on her. The camera work is stunning, to say the least, beginning with the deer and pigeons that get scared by the animated shouting of the man mounted on a horse galloping at tremendous speed, until he comes up on the hordes of young girls, riding bicycles. The black of the burqa contrasts with the deep blue of the ocean. The bursts of speed that Ahoo gets are probably symbolic of the dollops of energy that Ahoo gets on successfully ignoring the pleadings of her husband, the priest, her father and her tribe.
The third story is about an old lady with a horde of boys gorging on a shopping spree. The comedy in the portrayal does not dilute the impact of the statements of the lady that she had all along wanted to enjoy life and that "they" did not let her. The music, the merry making of the boys on the beach and the caring black boy all enmesh well into the script. At the end, as expected, the director tries to interweave Hava and Ahoo into the old lady's story. But, it is commendable that this is done without any pretext or justification, with the director careful about not trying to give any "answers", so to speak. The name of the old lady Hoora being revealed at the fag end of the movie compared to Hava and Ahoo being revealed in the very first scenes, is also striking.
To me, it seemed as if the director was trying to say that the process of denial starts with a girl becoming a woman (story of Hava), and all her life, she tries to escape from the trappings imposed by the society, ultimately she may not be successful in this (story of Ahoo). Finally, it is when one is as old as one can get, that a woman is able to enjoy whatever she dreamt of, all her life (story of Hoora). By then, she does not have anyone to enjoy these with, and is beginning on the journey towards completion and fulfillment of life.