With the name and the description, it's easy to mistake this as being another edge-of-your-seat, thrill-ride horror movie. It's anything but. Apart from having a supernatural aspect to it, it's pretty much an after-school special sort of film. Its PG-13 rating isn't even needed. The suicide element is so brief and tame, that this could still easily be rated G (remember, G doesn't have to mean kids, it just means General Audiences). The interesting thing is that, when the credits finally rolled, I was satisfied with what I'd seen. Imagine that, a movie that doesn't go for the kill and just wants to entertain you with a decent story for an hour or two. The script is...OK, the dialogue is... acceptable, the acting is good, for the most part (this movie is rife with underrated actors that are much more talented than they've ever been given credit for). What I find interesting is that everyone comes across as real people. Not "good actors," just your regular, flawed bozos found on every street corner. When Julia Roberts or Tom Cruise are on a screen, you get drawn-in, but it's always "them." Marina Sirtis, on the other hand, makes you believe you're watching a typical house-mom type, not an actress, who's both kind and overbearing under different circumstances --just as a real person might be. There's a scene towards the end that'll have you wanting to give her a medal for realistically portraying someone in emotional agony, and not simply "oh, the script says I'm supposed to scream here." So, overall it's not a blockbuster, and it's not something you'll want to rush out and tell your friends about. Heck, some of the metaphysical/religious concepts used are so... well, let's just say I don't subscribe to them and politely leave it there, suffice to say they're a bit corny and detracting, in an amalgamated "I've read a lot of spiritual books, but don't really know a thing about it" sort of way. But, I gave this one an "8" score for one very good reason: It accomplished what it set out to do, and it did leave me happy that I'd watched it. With Hollywood pumping out multi-million dollar blockbusters with tons of FX and no story on a regular basis, how often can we really say that about a film these days?
Review of Spectres
