I saw this film on September 22 at the Atlantic Film Festival. I was with some people who had never heard anything heavier than KISS and wouldn't know Black Sabbath from the Black Label Society. It's a mark of this film's excellence that they really enjoyed it and felt they had gained an understanding of the metal scene.
This is no gushing fan-tribute. Well, it is in part, but I couldn't stay objective either were I given the chance to sit down with Bruce Dickinson at the Hammersmith Odeon. Seriously, it rises far above the fulfillment of a metal fan's dreams to explore many different elements of what makes metal both an enduring artform and one that remains on the fringes.
The structure of the film follows distinct topics - Gender, Censorship, Death & Violence, and more. Each area is thoughtfully explored with comments from many musicians and some outside observers. From the calm commentary of Rob Zombie to the wry humour of Dio to the laughable minimalist interviews with Norwegian black-metal players, there's a broad range of experiences and opinions.
This is an excellent documentary in every way.
I knew it was going to be great when I got my first glimpse of the big chart of metal bands that correctly put KISS far away from the actual musicians. Ronnie James Dio further obliged with a running commentary on Gene Simmon's preference for money over music.
You'll get to see and hear a lot of great bands, from the standard warhorses like Maiden, Metallica, Motorhead and Slayer to the less-mainstream stuff like Voivod.
This is no gushing fan-tribute. Well, it is in part, but I couldn't stay objective either were I given the chance to sit down with Bruce Dickinson at the Hammersmith Odeon. Seriously, it rises far above the fulfillment of a metal fan's dreams to explore many different elements of what makes metal both an enduring artform and one that remains on the fringes.
The structure of the film follows distinct topics - Gender, Censorship, Death & Violence, and more. Each area is thoughtfully explored with comments from many musicians and some outside observers. From the calm commentary of Rob Zombie to the wry humour of Dio to the laughable minimalist interviews with Norwegian black-metal players, there's a broad range of experiences and opinions.
This is an excellent documentary in every way.
I knew it was going to be great when I got my first glimpse of the big chart of metal bands that correctly put KISS far away from the actual musicians. Ronnie James Dio further obliged with a running commentary on Gene Simmon's preference for money over music.
You'll get to see and hear a lot of great bands, from the standard warhorses like Maiden, Metallica, Motorhead and Slayer to the less-mainstream stuff like Voivod.