Review of Eegah

Eegah (1962)
3/10
"Wowzie! Wow! Wow!"
5 November 2005
Eegah is all it has been hyped up to be. It is an awful film with some of the most ludicrous scenes, dialog, and performances to be seen in film. And by the way - it's a whole lot of fun to sit through. A caveman, having lived out his life in Southern California in a cave with a family that is now mummified, stops the car of a beautiful teen one night. She tells her famous author dad, and he goes into the mountain to find the prehistoric man. Soon she and her idiot boyfriend go to find pops and the adventure begins. Eeagh is a terrible film on many levels. The script for starters is just plain stupid. How did a cave man live in the cave of a mountain covered with nothing but sand and brush for over a century? Where did he get his food and water? Yeah, sure we saw him with a rabbit but let's get real. The cave man acts like a child for much of the film even allowing himself to be shaved by Roxy, the girl of his dreams(after a century or so any woman could have fit that bill). The Neanderthal is played by none other than Richard Kiel, Jaws from James Bond fame. Kiel is actually the best thing about this film. He gives a performance with some depth. His colleagues; however, are sufficiently deficient in that department as to make a complete mockery of the film's plot. Roxy is bad. Her dad, Arch Hall Sr. (the director as well) is wooden, and the worst acting prize goes to the director's son Arch Hall Jr. as a real annoying boyfriend who has to sing some songs every now and then. Here is a sample of the lyrics: "I wish I had a billion dollars and a banker's salary and I would buy up all the flowers to give to Valerie." That's one of the better lines. Hall Jr. mugs, struts, and ambles through much of the film delivering inane dialog. The end of the film has the obvious denouement to a relationship that just "caved in." Even though it is bad, this film is a whole lot of fun. The errors jump out at you from the first scene and the laughs ensue almost immediately from the unintentional ineptitude of the makers of the film.
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