Most people are acquainted with the story of Captain Clegg and Dr. Syn from the Walt Disney series with Patrick McGoohan entitled, THE SCARECROW OF ROMNEY MARSH. Basically it is about an area of the coast of 18th Century England which is a haven for successful smuggling. The British government is seeking to stop this, and they keep failing to catch the leader and his followers. The reason is that the leader (McGoohan in the Walt Disney series, and George Arliss here) is not such a bad guy, and the laws being enforced are ruinous and unjust to the local populace.
This version was Arliss' final film, and it is amazing to me that this movie and DISRAELI are the only two Arliss performances that are on video (I'm not sure if they are on DVD). Like DISRAELI it is a period piece, but his Dr. Syn is not a real historical figure. Still he keeps to most of Arliss's normal role characteristics. Syn is actually the ex-pirate Captain Clegg, who was supposed to have been hanged for piracy a decade earlier at Dymchurch. Clegg and his crew settled in the area, continuing careers as smugglers. But the smuggling laws are broken here because of the unfair effect on the population (they raise revenues for a tyrannical government, and don't take local expenses into consideration). The government sends a leading pirate hunter (Roy Emerton) to the area with a mulatto (Meinhart Maur) who knows what Clegg looks like. Maur was mutilated and abandoned on an island by Clegg years before. What we don't learn until later is that the mulatto had attacked Clegg's wife and daughter (the attack must have shortened Mrs. Clegg's life), so that Clegg was justified in what he did.
The film shows how Emerton slowly figures out that Clegg is Syn, and how Syn and his crew do manage to escape again at the conclusion. But the film is a fun one for all that, and a fitting conclusion to Arliss's curious and worthy film career. Brief as it was he did raise the level of acting by his subtleties - and erased some of the bombast that plagued Victorian and Edwardian theater.
This version was Arliss' final film, and it is amazing to me that this movie and DISRAELI are the only two Arliss performances that are on video (I'm not sure if they are on DVD). Like DISRAELI it is a period piece, but his Dr. Syn is not a real historical figure. Still he keeps to most of Arliss's normal role characteristics. Syn is actually the ex-pirate Captain Clegg, who was supposed to have been hanged for piracy a decade earlier at Dymchurch. Clegg and his crew settled in the area, continuing careers as smugglers. But the smuggling laws are broken here because of the unfair effect on the population (they raise revenues for a tyrannical government, and don't take local expenses into consideration). The government sends a leading pirate hunter (Roy Emerton) to the area with a mulatto (Meinhart Maur) who knows what Clegg looks like. Maur was mutilated and abandoned on an island by Clegg years before. What we don't learn until later is that the mulatto had attacked Clegg's wife and daughter (the attack must have shortened Mrs. Clegg's life), so that Clegg was justified in what he did.
The film shows how Emerton slowly figures out that Clegg is Syn, and how Syn and his crew do manage to escape again at the conclusion. But the film is a fun one for all that, and a fitting conclusion to Arliss's curious and worthy film career. Brief as it was he did raise the level of acting by his subtleties - and erased some of the bombast that plagued Victorian and Edwardian theater.