Review of Kippur

Kippur (2000)
7/10
Visual Meditation on Commuting to the Front Lines
12 December 2005
As an Israeli's view of war, "Kippur" takes "Thin Red Line"s visual approach, with little plot or explication or context, from the sacred (Yom Kippur mis en scene) to the procreative beginning, to the wounds and exhausted faces of the soldiers.

This is a war where a soldier takes his used Fiat right up to the front and back again to his girlfriend's front door. Unlike "Tigerland" where the soldiers are young neophytes with taut basic training bodies, these are lean, lanky, long-haired chain-smoking, experienced reservists who pretty much pick and choose where they'll serve. Instead of the usual U.S. barking sergeant, this unit is based on long-term friendship, training, coordination, shared goals and consensus. Fodder for discussion on military management styles. And I can't think of another war movie where a guy named Weinraub is as sexy looking.

Even my husband, who is a devotee of the War Channel and thought it was way too arty (and amazingly this was from the same director who did the agit-prop anti-Orthodox domestic drama "Kadosh") found one long sequence with almost no dialog very effective, as the medics try to rescue the wounded in the mud.

The projectionist shut down the credits before it was finished.

(originally written 12/2/2000)
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