8/10
"Allen Smithee" makes a good film
1 January 2006
This maybe the greatest film ever directed by the elusive Allen Smithee whose name comes up on the credits of this and many other films that directors can't or don't want to claim credit for a variety of reasons. Robert Totten and Don Siegel directed it and neither wanted credit for their own reasons. So unlike Come and Get It where both Howard Hawks and William Wyler directed it and both are listed, this one was credited to the elusive Mr. Smithee, that pseudonym invented by Hollywood for one who doesn't want the credit.

Usually they don't want the credit because it's a stinkeroo. But here this is a good western about an aging town marshal whose time as come and gone and won't see it.

Richard Widmark is that marshal and the local bordello madam, Lena Horne is his girlfriend or one of them. The film opens with an irate husband looking to gun him down played by Jimmy Lydon. Of course he's no match for the lawman and this spurs the town council to look for a way to finally be rid of him. The town elders are such veterans as Larry Gates, Morgan Woodward, David Opatoshu, Dub Taylor, and Kent Smith.

It becomes pretty obvious that Widmark won't take the hint and they start running out of options. For one of them it ends in tragedy.

Carroll O'Connor plays the most interesting role here, a far cry from Archie Bunker. He owns one of the saloons and his reasons are more typical, law and order has been taking away business for too long. O'Connor is a slime ball who first tries to use others to do his dirty work.

The others are the ones who brought Widmark to town in the first place, but now Widmark is a law unto himself. He has his own way of interpreting what needs to be done and the skill with a weapon to enforce it.

As you can imagine it's a pretty bloody picture, but a great lesson to be learned when you allow a man on horseback to run things.

I'm imagining though, millions of years from now; Aliens excavating our planet and through the efforts of folks like the American Film Institute come across the collected works of Allen Smithee. In their textbooks it's going to read that Smithee was a mediocre talent of whom little is known, but this one film is a great one amongst a lot of mediocrity.
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