On a visit to London, an apparently recently blinded American playwrite over-hears a highly suspicious conversation which may or may not mean a kidnapping... together with his manservant and former secretary he begins to try and put the pieces together.
For 1956 this is a surprisingly twisted piece, involving both highly unconventional villain and target/victim. Delicious shots of mid-50's London (check out Barker's of Kensington), a serviceable performance by Johnson, Miles decorative but wasted (except in one scene), the glorious Parker, and Winwood hamming it up to the hilt, all add up to an enjoyable sub-Hitchcockian romp. Yes it owes a debt to 'Rear Window', but then 'Wait Until Dark' owes a debt to this!
For 1956 this is a surprisingly twisted piece, involving both highly unconventional villain and target/victim. Delicious shots of mid-50's London (check out Barker's of Kensington), a serviceable performance by Johnson, Miles decorative but wasted (except in one scene), the glorious Parker, and Winwood hamming it up to the hilt, all add up to an enjoyable sub-Hitchcockian romp. Yes it owes a debt to 'Rear Window', but then 'Wait Until Dark' owes a debt to this!