Review of Faust

Faust (1994)
8/10
Puppets and Clay
9 February 2006
Warning: Spoilers
This is not a movie that strikes the first time viewer. It asks for some former knowledge. It mainly relies on the epic Faust by Johann Wolfgang Goethe, but since monologue and dialog have been very rare in this one, symbols are probably easier to read if the book has been previously read. For example, the empty egg in the bread which actually contains one's soul according to pagan mythology could be overlooked.

This is as far as the script is concerned. The directory, however, is done by one of the greatest and most influential stop-motion-animation masters and puppeteers, greatly appreciated by the well known Quay Brothers (see The Cabinet of Jan Svankmajer) as well as the others. This means that very imaginative and expressive combination of animation, string puppets theater and acting is expected.

When one thinks about the story of Faust, the question that often pops in one's head is what would be the price on my soul. Faust traded his soul for the absolute understanding which in the end he does not receive. However, the moment of gaining control over his destiny is shown so simply and yet so powerfully – the moment of detaching strings, the question that remains is who was pulling Faust's strings in the moment he decided to sell his soul. That was the decision he made former to his strings detaching. The movie swarms with this sort of fractions that trigger bursts of reflections and that's why this movie won't put you to sleep. On the other hand, if you are sleepy go watch something else, this movie deserves attention.
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