6/10
Dear diary: I got killed today!
3 April 2006
Warning: Spoilers
There are several great reasons to see "Blood Relatives"! First of all because Donald Sutherland is a magnificent actor and his project choices in the 70's practically all resulted in brilliant movies ("Klute", "Don't Look Now", "Day of the Locust", Invasion of the Body Snatchers"…), the supportive cast is also terrific, with Donald Pleasence and David Hemmings, and – most of all – controversial murder mysteries are always worth checking out, especially if they're directed by an acclaimed French filmmaker. "Blood Relatives" opens truly powerful and remains fascinating for almost a full hour. On a rainy Saturday night, a violent aggressor attacks two minor girls and one of them – the oldest one – doesn't survive. The girls turn out to be cousins and police inspector Carella (Sutherland) is charged with looking for the killer, starting with the usual line-up of notorious sex offenders and pedophiles. It's only with the discovery of the dead victim Muriel's personal diary that Carella realizes the culprit is very close to the family, as she hid a relationship with her first-degree cousin Andrew and an affair with her employer. The first half of "Blood Relatives" is great with a close follow-up of the police investigation and a specifically well-scripted red herring involving the respectable Donald Pleasence playing a repulsive monster. The story has you guessing along with Sutherland's character and you try to focus on every possible sub theme and/or underlying message. Regretfully, and nearly impossible to comprehend, the film pretty much turns into a campy teen-horror story with the arrival of Muriel's diary. The remaining playtime is filled with flashbacks and narrated scenes from the diary, padded with an incredible amount of uninteresting info about typical teenage girl stuff and overly detailed footage of Muriel's private love-life. The identity of Muriel's killer suddenly seems secondary to her puppy loves and Sutherland only occasionally comes on screen when he turns over the pages in the diary. Bummer! How can a film that starts so promising end up so tacky, dull and immature?
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