Partonizing and overwrought, but still a must see.
11 May 2006
There are several things that bothered me about this film and I will get into that in a second, but first I must say The Green Mile has some of the best acting you will ever see in a movie. Tom Hanks has a special ability to make nothing seem like something. I often wonder if even HE knows what he's doing. You don't really notice it while he's doing it, but after the film find yourself feeling like you know the guy. Unlike being shocked by the sheer magnetism of a Marlin Brando, or the energy of Robert DeNiro, Hanks wins you over by appearing NOT to act. It's like you're watching a video of yourself going through what he is doing. Like you have lived it. Another special treat is gentle giant Michael Clarke Duncan playing the healer John Coffey. Such tenderness and control while holding back a flood of emotion, all without slipping into bathos is a rare thing indeed. Duncan should have won an academy award. A mesmerizing performance. Michael Jeter also turns in a fine performance as the Cajun convict Eduard Delacroix. Bonnie Hunt was doing such a good job I didn't even recognize her at first. The rest of the cast is all well chosen. Excellent performances all around.

My criticisms of the film are brief. I only mention them because were it not for these simple faults, I feel The Green Mile has a shot at the "greatest film of all time" title, and yes, I know that's saying a lot.

1) The movie was too long. There comes a time when you need to pick a storyline from the book and then throw the book out. Everything this film said and did could have easily been done in 2 hours and it would have had more impact. It also would have left the audience wanting more, like Apocalypse Now, vs. A.N. Redux.

2) I found the foul language and adult situations to be distracting from the topic and genre. A more traditional approach here would have made for a more timeless and accessible work. The language was too "on the head" (see point 4) 3) I didn't like the special effect of how John Coffey heals. It was too... Steven Kingish? A more subtle approach would have been more thought provoking, which leads me to my last point...

4) The movie frequently tries too hard. It has 17 endings, like with Shawshank, it has endless underscoring of its messages and points, it rambles, it over-explains, it hits the nail on the head -- twice, just in case you missed the first one. It would take pages to explain this point in detail, so suffice to say, if you agree, you know what I am talking about, and if you disagree, you will love this film all the more.

I know this is sacrilege to filmmakers and impossible, but I would love to see a highly edited version of this film. Take out the healing effects. Cut the modern day beginning and ending off. Remove the language (it's a cruel world, okay okay, I get it), cut massive amounts of build up and redundancies. Let us just watch those incredible performances tell this beautiful story and most of all, let us think. We are not all that stupid, Frankly.
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