Yes, an entertaining film, yes beautiful on a cinematic aspect, but all in all, a silly period piece, and considering the subject matter, it would have done better if held with more sensitivity than sentimentality.
It's not a smart period piece, let's start with that. The 'jovial' verbal sparring that goes on between Veronica and Platt's character is trite, and with clumsy innuendos. The sexual fascinations the men of Venice have with Veronica comes off as somewhat artificial, and Veronica herself, doesn't seem like such a dangerous beauty. The emphasis for power and intelligence in courtesans is quite clear in the film, but apart from showing her reading a couple of books, this doesn't come across. The exchange between Veronica and King Henry was set up to be challenging, and interesting, and then too easily resolved. The conclusion between Marco and Veronica's characters ripped right out of a Harlequin romance, and not given any sort of punch to make it favorable. I was hoping that Veronica would truly be strong, and assert herself as a powerful woman, but her weaknesses and what she gave into demeans this. And Paola, her mother, was quite shocking and somewhat incredulous. The film tries to explain her motives for pushing Veronica to become a courtesan, but the training session sequence still leaves an uneasy feeling about her.
I sound quite unforgiving towards the film, so here I admit there were some good moments. Veronica explaining the not so glamorous part of a courtesan's life. The court scene (though the conclusion was still a mite too easy) held some power the rest of the film should have. Veronica's interactions with Domenic. And the Minister Rimbarti was a very sympathetic character and he stood out in the scenes he was in.
So all in all, it's okay to watch, but if you're expecting something that actually has meaning look somewhere else.
It's not a smart period piece, let's start with that. The 'jovial' verbal sparring that goes on between Veronica and Platt's character is trite, and with clumsy innuendos. The sexual fascinations the men of Venice have with Veronica comes off as somewhat artificial, and Veronica herself, doesn't seem like such a dangerous beauty. The emphasis for power and intelligence in courtesans is quite clear in the film, but apart from showing her reading a couple of books, this doesn't come across. The exchange between Veronica and King Henry was set up to be challenging, and interesting, and then too easily resolved. The conclusion between Marco and Veronica's characters ripped right out of a Harlequin romance, and not given any sort of punch to make it favorable. I was hoping that Veronica would truly be strong, and assert herself as a powerful woman, but her weaknesses and what she gave into demeans this. And Paola, her mother, was quite shocking and somewhat incredulous. The film tries to explain her motives for pushing Veronica to become a courtesan, but the training session sequence still leaves an uneasy feeling about her.
I sound quite unforgiving towards the film, so here I admit there were some good moments. Veronica explaining the not so glamorous part of a courtesan's life. The court scene (though the conclusion was still a mite too easy) held some power the rest of the film should have. Veronica's interactions with Domenic. And the Minister Rimbarti was a very sympathetic character and he stood out in the scenes he was in.
So all in all, it's okay to watch, but if you're expecting something that actually has meaning look somewhere else.