"Mandingo" was a brutal film, with quite a few over-the-top scenes that would have you laughing today (not "at" it really, but laughs of "I can't believe they said that"), just for the fact that they are so blatantly non-PC and would never fly in today's political climate. "Drum," the sequel to "Mandingo," not only is much more prone to such laughter, but the actors even seem, sometimes, to be in on the goof.
"Drum" is a serious film though - brutal at times, like its predecessor - but with so much of this dialog, it is absolutely amazing the actors say all this stuff with straight faces. It is here where Warren Oates, as Hammond Maxwell (previously played by Perry King), really shines as an actor. He plays his role simply perfect - a lesser actor would have had no choice but to play the role into the realm of total farce. But somehow, amazingly, Oates finds that incredibly fine line where he is definitely part of the fun of the picture, but he still plays it straight, and not as a goof. This is no doubt one of his best roles.
In one of the film's best scenes, Oates as Hammond is outside eating with his bride-to-be, and the dialog exchange between the two just simply has to be seen, and heard, to be believed. This may even be the "funniest" scene in the film, but there is Oates, playing it just perfect.
Ken Norton, who played Mede in Mandingo, plays his son Drum here, and he still cannot act, but he's fun to watch try. Yaphet Kotto is great no matter what he does, and all the other familiar faces, especially Pam Grier, add to the festivities. Hammond gets a little profound at the very end, an ending that pulls no punches.
"Drum" is definitely a film to be seen, it's just up to you how you want to view it.
"Drum" is a serious film though - brutal at times, like its predecessor - but with so much of this dialog, it is absolutely amazing the actors say all this stuff with straight faces. It is here where Warren Oates, as Hammond Maxwell (previously played by Perry King), really shines as an actor. He plays his role simply perfect - a lesser actor would have had no choice but to play the role into the realm of total farce. But somehow, amazingly, Oates finds that incredibly fine line where he is definitely part of the fun of the picture, but he still plays it straight, and not as a goof. This is no doubt one of his best roles.
In one of the film's best scenes, Oates as Hammond is outside eating with his bride-to-be, and the dialog exchange between the two just simply has to be seen, and heard, to be believed. This may even be the "funniest" scene in the film, but there is Oates, playing it just perfect.
Ken Norton, who played Mede in Mandingo, plays his son Drum here, and he still cannot act, but he's fun to watch try. Yaphet Kotto is great no matter what he does, and all the other familiar faces, especially Pam Grier, add to the festivities. Hammond gets a little profound at the very end, an ending that pulls no punches.
"Drum" is definitely a film to be seen, it's just up to you how you want to view it.