A nasty little noir by Budd Boetticher. The story involves a woman's hiring a struggling private detective to have himself committed to a private psychiatric hospital. A corrupt judge is holed up there.
Richard Carlson is good, very good, as the main character. The supporting cast is excellent. It's a tough little story.
Don't expect an expose like "The Snake Pit" or metaphor like "Shock Corridor." The sanitarium itself is one of the problems: Would a private sanitarium really have such sadistic, violent staff? It comes across much more like a state psychiatric hospital.
Also, the rationale behind the woman's action is never really clear.
However, it's a very scary movie, with no fat at all. The character's loss of his true identity once he's behind the doors is reminiscent of another small, though better, movie: "My Name Is Julia Ross." In passing, I wonder whether that movie, "When Strangers Marry," and the entire Republic noir catalog still exist. The first two are superb little movies that pack tremendous wallop. "Julia Ross," though atypical of the genre in many ways, may be my single favorite film noir. Where are these movies? And why don't we ever see the Republic noirs of the 1950s? That, however, is a digression. This movie is very well worth seeing. It's very tense and exciting and has fine character development.
Richard Carlson is good, very good, as the main character. The supporting cast is excellent. It's a tough little story.
Don't expect an expose like "The Snake Pit" or metaphor like "Shock Corridor." The sanitarium itself is one of the problems: Would a private sanitarium really have such sadistic, violent staff? It comes across much more like a state psychiatric hospital.
Also, the rationale behind the woman's action is never really clear.
However, it's a very scary movie, with no fat at all. The character's loss of his true identity once he's behind the doors is reminiscent of another small, though better, movie: "My Name Is Julia Ross." In passing, I wonder whether that movie, "When Strangers Marry," and the entire Republic noir catalog still exist. The first two are superb little movies that pack tremendous wallop. "Julia Ross," though atypical of the genre in many ways, may be my single favorite film noir. Where are these movies? And why don't we ever see the Republic noirs of the 1950s? That, however, is a digression. This movie is very well worth seeing. It's very tense and exciting and has fine character development.