David O. Selznik, one of the most successful producers in the Hollywood of the 1930s, probably never considered what he was getting into, when he decided to bring Margaret Mitchell's massive novel, "Gone with the Wind", to the movies. The monumental task to recreate the book, which was a favorite among the American public of the era, was not an easy, or a happy undertaking by Mr. Selznik, or the people that were involved in the project.
David Hinton's documentary, which was shown by TCM recently, is a gem of a film because it gives a fantastic account of all that went on to make the film. "Gone with the Wind" stories have been told forever, or so it seems, yet, in the documentary they are examined thoroughly again by a lot of Mr. Selznik's collaborators who were still around in 1989 to tell the story.
The best thing in "Making of a Legend: Gone with the Wind" is the footage where many stars were tested for the leading roles. The characters of the book were coveted by most of the actors of the time because they realized the importance about appearing in it would mean to their careers. We see actors of the stature of Jean Arthur, Joan Bennett, Tallulah Bankhead, among the ones that wanted to contribute to the movie, yet, they were not chosen.
David O. Selznik comes across as a disorganized genius who had no idea about what he was doing. His memos to the cast and crew were something not to be believed. Some people resented this way of communication. His battle with George Cukor is also told and how Victor Fleming, who by all accounts was not the perfect candidate, came to be the one that was able to complete the picture.
There are some excellent comments, especially from Ann Rutherford and Evelyn Keyes, who explain what they saw while the film was in production. Some others also come on to tell us their view about what the film changed their lives and the experience of having worked with a mad man who was so intent in getting the movie done. It's a good thing this film was done during the 1930s because it would probably had cost more than 200 million in today's dollars! Thanks to director David Hinton this epic movie is examined and put in its proper context to help the viewer understand the way Hollywood worked during the time it decided to convert the book into a movie.
David Hinton's documentary, which was shown by TCM recently, is a gem of a film because it gives a fantastic account of all that went on to make the film. "Gone with the Wind" stories have been told forever, or so it seems, yet, in the documentary they are examined thoroughly again by a lot of Mr. Selznik's collaborators who were still around in 1989 to tell the story.
The best thing in "Making of a Legend: Gone with the Wind" is the footage where many stars were tested for the leading roles. The characters of the book were coveted by most of the actors of the time because they realized the importance about appearing in it would mean to their careers. We see actors of the stature of Jean Arthur, Joan Bennett, Tallulah Bankhead, among the ones that wanted to contribute to the movie, yet, they were not chosen.
David O. Selznik comes across as a disorganized genius who had no idea about what he was doing. His memos to the cast and crew were something not to be believed. Some people resented this way of communication. His battle with George Cukor is also told and how Victor Fleming, who by all accounts was not the perfect candidate, came to be the one that was able to complete the picture.
There are some excellent comments, especially from Ann Rutherford and Evelyn Keyes, who explain what they saw while the film was in production. Some others also come on to tell us their view about what the film changed their lives and the experience of having worked with a mad man who was so intent in getting the movie done. It's a good thing this film was done during the 1930s because it would probably had cost more than 200 million in today's dollars! Thanks to director David Hinton this epic movie is examined and put in its proper context to help the viewer understand the way Hollywood worked during the time it decided to convert the book into a movie.