It is quite safe to say that "Münich" is among the five best movies that Mr. Spielberg made till date. With a topic shockingly relevant even after thirty-three years, Spielberg reaches out to both emotion and judgement of the audience. The main four reasons behind his achievement? The film's screenplay, cinematography, acting and of course his own trademark serious yet visually appealing style of direction.
Israel security officer Avner is assigned to conduct a secret government operation to kill eleven Palestinian high officials after eleven Israeli athletes were murdered in 1972 Olympic Games. He gets aided by four teammates with four entirely different characters. They travel to several European and Mediterranean countries in order to do so. The film effectively portrays the basis of so-called modern terrorism and speaks against those who justify it. The biggest achievement of the film is that it doesn't take any side. There is no hero in this film. Avner questions the utility of terrorism and counter-terrorism in the end but only after he carries out his mission.
Janusz Kaminski's ever-brilliant cinematography and Spielberg's ideas effectively blend in to generate some unforgettable shots in the history of cinema. Who can forget the dramatic midnight encounter and exchange of words between Avner's team and some Palestinian agents in that old room in Athens? Or when extreme paranoia strikes Avner at a time near the end of the mission? or when he's still haunted by the Munich murders even while having sex with his wife? The use of violence in this film is graphic and shockingly realistic and none of the scenes are actually uncalled for. The film majorly becomes a character study of every different mind related to the Israel-Palestine conflict. Yet the film remains absolutely neutral... almost passive. It doesn't even shout a message like "Terrorism is bad" or something. One can imply anything from it.
Eric Bana plays the role of Avner with great perfection and style. He effectively catches that vital bit of determination of the character behind his gentle and calm demeanor. Geoffrey Rush also deserves much praise as Avner's superior officer in the Government. Daniel Craig and the actress who played Avner's beautiful wife also did well.
While Ang Lee's work in Brokeback Mountain is passionate and personal, Spielberg's in 'Münich' is almost hard realism. Spielberg doesn't voluntarily evoke the audience's emotion by exaggerating a particular scene. But who cares? he will surely win more Oscars in upcoming years.
Israel security officer Avner is assigned to conduct a secret government operation to kill eleven Palestinian high officials after eleven Israeli athletes were murdered in 1972 Olympic Games. He gets aided by four teammates with four entirely different characters. They travel to several European and Mediterranean countries in order to do so. The film effectively portrays the basis of so-called modern terrorism and speaks against those who justify it. The biggest achievement of the film is that it doesn't take any side. There is no hero in this film. Avner questions the utility of terrorism and counter-terrorism in the end but only after he carries out his mission.
Janusz Kaminski's ever-brilliant cinematography and Spielberg's ideas effectively blend in to generate some unforgettable shots in the history of cinema. Who can forget the dramatic midnight encounter and exchange of words between Avner's team and some Palestinian agents in that old room in Athens? Or when extreme paranoia strikes Avner at a time near the end of the mission? or when he's still haunted by the Munich murders even while having sex with his wife? The use of violence in this film is graphic and shockingly realistic and none of the scenes are actually uncalled for. The film majorly becomes a character study of every different mind related to the Israel-Palestine conflict. Yet the film remains absolutely neutral... almost passive. It doesn't even shout a message like "Terrorism is bad" or something. One can imply anything from it.
Eric Bana plays the role of Avner with great perfection and style. He effectively catches that vital bit of determination of the character behind his gentle and calm demeanor. Geoffrey Rush also deserves much praise as Avner's superior officer in the Government. Daniel Craig and the actress who played Avner's beautiful wife also did well.
While Ang Lee's work in Brokeback Mountain is passionate and personal, Spielberg's in 'Münich' is almost hard realism. Spielberg doesn't voluntarily evoke the audience's emotion by exaggerating a particular scene. But who cares? he will surely win more Oscars in upcoming years.