Hitchcock comparisons abound with Chabrol. However, you may be hard pressed to see anything other than a superficial similarity between them here.
Although nicely acted and crafted, 'Le Boucher' has a curious sense of disengagement that will either fascinate or frustrate viewers. While not necessarily a bad thing in itself, this can also give the impression of a lack of depth. It's hard to fully discern what the character motivations are so, depending on your proclivity, you are likely to become either enthralled or disinterested in what they might actually be.
Viewers familiar with Francois Truffaut will notice some similarities in approach but Chabrol lacks the concise poetry of that other French great. Even though the opening wedding sequence nicely sets up a scene of normality for the events that follow, it's rather overlong and a more Hitchcockian terseness would certainly have helped.
Still, the film does have a strange charm and there are some excellent character ideas regarding the schoolteacher (content with her celibacy long after a bad relationship) being seduced? threatened? by the promise of new love from the local butcher - who may or may not be a murderer. These threads are either unexplored or deliberately withheld, depending on your point of view.
A worthwhile watch for those interested but, possibly, not quite the masterpiece some might lead you to believe it is.
Although nicely acted and crafted, 'Le Boucher' has a curious sense of disengagement that will either fascinate or frustrate viewers. While not necessarily a bad thing in itself, this can also give the impression of a lack of depth. It's hard to fully discern what the character motivations are so, depending on your proclivity, you are likely to become either enthralled or disinterested in what they might actually be.
Viewers familiar with Francois Truffaut will notice some similarities in approach but Chabrol lacks the concise poetry of that other French great. Even though the opening wedding sequence nicely sets up a scene of normality for the events that follow, it's rather overlong and a more Hitchcockian terseness would certainly have helped.
Still, the film does have a strange charm and there are some excellent character ideas regarding the schoolteacher (content with her celibacy long after a bad relationship) being seduced? threatened? by the promise of new love from the local butcher - who may or may not be a murderer. These threads are either unexplored or deliberately withheld, depending on your point of view.
A worthwhile watch for those interested but, possibly, not quite the masterpiece some might lead you to believe it is.