6/10
Gripping Story, brilliant acting, authenticity - but too long & exhausting
1 September 2006
Warning: Spoilers
"Der freie Wille" is the tragedy of the rapist Theo (Vogel). After years of imprisonment and struggle for a normal life and love, he realizes that he can never be free of his pathological sexual urge. I saw this movie yesterday and it left intense, but contradictory impressions on me. First and above all, I appreciate the brilliant and authentic acting of J.Vogel, S.Timoteo, M.Zapatka and the whole ensemble. I saw real persons, not roles, sharp characterizations, not clichés, good actors, not stars. I appreciate the courage of the producers to realize such a movie, too. It's necessary to make movies like this. But in my opinion it has some severe structural problems, and that's why I refused to let story & characters affect me till the end. What a pity! Okay: some extremely disturbing scenes are shown, because the story isn't nice. Okay: this movie is a hard challenge for mind & heart, because cruelty against women is bad reality - worldwide. Okay: the main character Theo is a tragical monster, because of his unsolved conflict. Okay: Theo's only girlfriend Nettie (Timoteo) has to be both a highly neurotic and very intelligent person - other girls wouldn't be able to like Theo, and he wants her love so badly. Okay: the story is concerned with pain, cruelty, dread, fear, sorrow - all the abysses of human soul. But 3 hours long? It seemed to me that the movie contains too much unnecessary scenes (i.e. Nettie's job in a Belgian chocolate factory), that didn't help the story and unfortunately failed its impact on me. Eventually, for Theo, his victims and Nettie their lives are infinite real time human catastrophes. But to be and stay deeply affected by a character's tragedy in a movie, it isn't necessary to reveal every little detail of his or her life as if it happened in real life. This fact even weakens my attention and sympathy for the anti-heroes.It appears to me, that the movie couldn't decide between drama and documentary. But the really bad effect on me as the film's audience, who expects drama art, not real life: in the long run it's too exhausting to follow the plot. Unfortunately the key scenes get the same attention as the under-plots (and after a too long time no attention anymore). Therefore the dramaturgy kills itself. Besides, too much Method Acting. The story is intense enough - why so much long takes of sighs and yells? Timoteo does a brilliant job - when she shows her feelings subtle and reserved. I was also fascinated by Vogel's performance - when he shows soul instead of nakedness. I also concede, I'm not happy with the very hard ending. But somehow I would've liked it, if the movie would've been cut as a piece of drama art, not as a diary of pain. c.k.
5 out of 7 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed