More dispersed than the life and death story of Rogozhkin's "The Cuckoo," "Peregon" ("Transit") still has the same patience with practical procedures. There is a very plausible reconstruction of a World War II Siberian airbase, done presumably on a much lower budget than the sets of Spielberg's "Empire or the Sun" and with less bedazzlement, but with a better sense of individuals, social dynamics, relation to the civilian population, and political complexity. The airplanes here have mechanics and pilots. Like an Altman movie, "Peregon" follows many complex individuals, but it also gives a sense of the overriding Soviet culture during the war years. It succeeds in representing people working within history.