Late Spring (1949)
10/10
A true work of art
1 October 2006
Warning: Spoilers
This is one of the most beautiful and perfect Japanese films I have ever seen. While I have seen and reviewed several other of director Ozu's films, this one stands head and shoulders above the rest. Most of this is NOT because of the plot, as the plot itself is very, very simple. Instead, the masterful way in which the film is constructed is highly reminiscent of a Japanese painting--one that is neither hurried nor unreal in any way. The story is a touching and lovely look at the relationship between a 56 year-old father and his unmarried daughter and it takes a very slow and gorgeous journey. Many of the best scenes are the quiet moments at home between the two leads or their friends--as the relationships seem so real and natural. In most films, super-human and extraordinary people are featured, whereas in this one, the basic humanity and beauty of average decent people is the focus. And while this description may sound awfully dull, it certainly isn't--especially since so many of the moments in the film are incredibly touching and honest.

The main plot line involves the happy man and his daughter living contented lives with each other in post-war Japan. While the father is a widow and he had no other children, he appears to be a genuinely happy and kind man. The daughter is also very content with their life and sees no need to marry. However, outside forces (friends as well as a meddling aunt) push them--trying to get the girl married despite her objections. And after a short time, the father, too, begins to feel this is for the best--even though it will mean losing the most precious person in his life. This struggle is just amazing to watch and is dealt with so honestly and beautifully that I strongly recommend you see this film. An amazing film you just need to see for yourself--just don't be put off by its slow pace--it's all part of the overall artistry of Ozu.
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