It's grim up north the old saying goes; Gasman by Lynne Ramsey won't change that stereotype but it does illustrate the talent of this director. This short film shares similarities with the both work of Mike Leigh and social realist 'kitchen sink' films of the sixties, in showing a slice of life story from the lower classes. Read; bleak setting and diegetic sound.
Set in an undisclosed Scottish city at Christmas, the story concerns a day in the life of lower class father (James Ramsey), daughter Lynne (Lynne Ramsey Jr) and son Steven (Martin Anderson) as they walk the tracks. En route, they mysteriously pick up more children from a woman (Jackie Quinn), Lisa (Lisa Taylor) and Robert (Robert McEwan).
Gasman is a powerful piece, due in no small part to the performance by Lynne Ramsey Jr. It is a powerful portrait of a working class young girl and the confusion she faces. When pretending to be Dorothy from the Wizard of Oz, you really believe that 'There's no place like home.' The supporting cast are also suitably bedraggled for their characters to be believable. There are some fine visual flourishes in this short piece; the close shots of people getting ready for their day out give the film a very intimate feel, as if you are really looking into their family life. There is appropriate use of light and dark contrast, in particular as they are in wide shot walking up the tracks. Also, the working club Christmas party is visual delight, with child POV shots, slow motion and chopped up editing.
At times the Scottish dialect is quite hard to follow with the sound quality being quite raw. My main issue with the film would be that Gasman doesn't have anything original to say. Gasman is suitably bleak according to genre convention but its essential message being that it's challenging growing up in a lower class environment has been a mainstay of social realist cinema since before Kes. Still grim it would seem.
Set in an undisclosed Scottish city at Christmas, the story concerns a day in the life of lower class father (James Ramsey), daughter Lynne (Lynne Ramsey Jr) and son Steven (Martin Anderson) as they walk the tracks. En route, they mysteriously pick up more children from a woman (Jackie Quinn), Lisa (Lisa Taylor) and Robert (Robert McEwan).
Gasman is a powerful piece, due in no small part to the performance by Lynne Ramsey Jr. It is a powerful portrait of a working class young girl and the confusion she faces. When pretending to be Dorothy from the Wizard of Oz, you really believe that 'There's no place like home.' The supporting cast are also suitably bedraggled for their characters to be believable. There are some fine visual flourishes in this short piece; the close shots of people getting ready for their day out give the film a very intimate feel, as if you are really looking into their family life. There is appropriate use of light and dark contrast, in particular as they are in wide shot walking up the tracks. Also, the working club Christmas party is visual delight, with child POV shots, slow motion and chopped up editing.
At times the Scottish dialect is quite hard to follow with the sound quality being quite raw. My main issue with the film would be that Gasman doesn't have anything original to say. Gasman is suitably bleak according to genre convention but its essential message being that it's challenging growing up in a lower class environment has been a mainstay of social realist cinema since before Kes. Still grim it would seem.