Bigas Luna's "Anguish" is a uniquely curious and creatively constructed Spanish horror film that'll unquestionably impress you a lot more than the average routine and dull 80's (American) slasher picture. Luna presents an odd film-within-film structure and, surprisingly enough, both segments contain equal amounts of suspense, creepiness and gruesome images. At first, we follow a middle-aged and slightly insane mother-obsessed optometrist as he goes out at night to butcher as many people as possible & cut out their eyeballs for his collection. His freaky mother (the squeakily voiced midget Zelda Rubinstein) commands him under hypnosis and his modus operandi isn't exactly subtle, as John removes his victims' eyeballs sadistically and without the slightest sense of emotion. Okay, pretty twisted & sick horror tale we got here, or so you think until, after the first couple of murders, it suddenly becomes clear that mother & son's crazed adventure is just an ordinary movie being watched in a fully-occupied theater. We're subsequently introduced to two attractive young girls one of them feeling very uncomfortable with what she sees on screen and then "Anguish" truly becomes a one-of-a-kind experience, since a totally new (and supposedly non-fictional) psycho-killer plot develops itself parallel with the macabre (and fictional?) events on screen! Yeah okay, I realize this all sounds very confusing and perhaps even a bit stupid, but director Luno presents it all dead serious and plausible. Simultaneously with John entering a movie theater in "The Mommy" (the title of the first movie) to collect more eyeballs, an actual deranged psychopath spots the two girls and intends to kill them. The film-within-film concept has been done before, but usually very messy and resulting in a severe anti-climax. In "Anguish", however, the tension is masterfully developed and the transitions from 'old' movie to 'new' movie are literally perplexing. Michael Lerner's eyeball escapades are grotesque and really gore (with extreme close-ups of gouged out eyes
yuck), whereas Patty & Linda's nightmarish trip to the movie theater is intense and claustrophobic. The final twist is predictable, yes, as Luna attempts to connect the characters of both films with each other, but I honestly think I would have been disappointed if something similar wasn't done. The acting performances are excellent. Especially Michael Lerner and Talia Paul are splendid, and even Zelda Rubinstein is tolerable. She annoyed the hell out of me in the overrated "Poltergeist" films, but her odd appearance is ideal for an artsy Spanish horror experiment like this. "Anguish" is a terrific film for trained genre lovers, regretfully underrated and misunderstood to this date. Highly recommended!
