Not Jason & his Argonauts seeking for the golden fleece: that would be too intellectual for the year 2000. The 10th or 11th "Friday" movie, and it was time for the crap to move into space. Plus, it was time for the franchise to sink to new lows, much lower even than was promised at the outset, back in the 80s.
This film is TYPICAL of the 90s and 00s: the brand new level of idiocy that has engulfed Hollywood movies. So much here is cretinous that it would be pointless to list all these things. But since I happily indulge in pointless things I'll mention a few: 1) Jason V. (not X) actually stabs a women with a machete THROUGH A HALF-A-METER-THICK MILITARY METAL DOOR, 2) why does Jason V. get an automatic run-over by the medicinal worms (bugs) (whereas they seems to ignore the other piles of bodies)? 3) we are never given Jason's full bio, including his 20th-century studies of 25th-century space ships and how to move about them without getting noticed and without getting all-too confused, etc. Jason V. is one smart cookie, both omniscient and omnipotent.
Then, of course, there are the obligatory really, really bad, dumb gags, people cracking wise even when being pierced, decapitated - or close to getting there. And talk about political correctness: there are almost more women aboard than men - of whom the greedy captain is white (well, of course, we can't have a greedy black captain because - as we all know - only white men can exhibit greed; Michael Moore's best-selling garbage "Stupid White Men" tells us all about it). Towards the end we practically only have women and black guys as survivors (even the android is a a woman). Alright, alright, we GET IT. Equality of the sexes and between races and all that And what better place to hammer that boring old point than in a SILLY HORROR film?
A movie that represents 100% the sadly retarded times we live in. Call it the AGE OF Paris HILTON, if you will
This film is TYPICAL of the 90s and 00s: the brand new level of idiocy that has engulfed Hollywood movies. So much here is cretinous that it would be pointless to list all these things. But since I happily indulge in pointless things I'll mention a few: 1) Jason V. (not X) actually stabs a women with a machete THROUGH A HALF-A-METER-THICK MILITARY METAL DOOR, 2) why does Jason V. get an automatic run-over by the medicinal worms (bugs) (whereas they seems to ignore the other piles of bodies)? 3) we are never given Jason's full bio, including his 20th-century studies of 25th-century space ships and how to move about them without getting noticed and without getting all-too confused, etc. Jason V. is one smart cookie, both omniscient and omnipotent.
Then, of course, there are the obligatory really, really bad, dumb gags, people cracking wise even when being pierced, decapitated - or close to getting there. And talk about political correctness: there are almost more women aboard than men - of whom the greedy captain is white (well, of course, we can't have a greedy black captain because - as we all know - only white men can exhibit greed; Michael Moore's best-selling garbage "Stupid White Men" tells us all about it). Towards the end we practically only have women and black guys as survivors (even the android is a a woman). Alright, alright, we GET IT. Equality of the sexes and between races and all that And what better place to hammer that boring old point than in a SILLY HORROR film?
A movie that represents 100% the sadly retarded times we live in. Call it the AGE OF Paris HILTON, if you will