7/10
You have to respect the mystery of the other
14 January 2007
Warning: Spoilers
Seen at face value this movie does not make any sense at all. There is no such thing as a piece of art that in a magic way encompasses deeper, troublesome, unknown truths about a portrayed person which will change the person's life forever (which is a presumption in this movie). That is only a romantic cliché. It is especially difficult to believe that the bleak and anonymous art created in this movie could have that effect. Art can - at its best- reveal a lot of the artist and of the world as seen by the artist, and - at rare moments - art can change the life of the spectator. But art that will change the life of the model? No, I don't think that is very probable.

But seen as a metaphor for one person (the old painter) helping another person (the model) to find new truths about herself it makes all the sense in the world. Then we can easily understand the models first resistance to the meeting with the painter, the path leading through difficult moments and joyous moments and finally to the revelation of hidden truths that will change her life forever. (She decides to leave her boyfriend.)

Seen in this way the surprising ending where the painting is stuck away for no one to see makes real sense. Of course it is only of value for the model to understand her inner truths, you don't have to tell the world about them. The painter also was kind enough to do another portrait of her to show the world, a portrait where the inner meanings again are hidden. A most satisfactory ending I would say. As a french nun once told me: "Il faut respecter le mystère de l'autre" or "You have to respect the mystery of the other". How true doesn't that ring.

If a liked the movie? Yes, it is mesmerizing all four hours. And the twists at the end complete the picture fully. It is a masterpiece.
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