In 1937, The Life of Emile Zola was nominated for the largest number of awards, ten. The movie won three including Best Picture. However, sadly and in some ways shamefully, this film has been ridiculed for being dated today, it's ways and means a little obsolete, and it's style rather unusual. That is downright unjust! The style which is portrayed in this remarkable seventy year old film is quite conventional. The dialogue is perhaps overwritten, but the powerful story is there, and the story line is enhanced by intelligent dialogue to say the least, as well as, first rate performances by an excellent cast, preferably Paul Muni (giving possibly his best performance) as Emile Zola and supported well by Joseph Schildkraut as Dreyfus. Not to mention, the film is technically excellent. Editing, costuming, lighting - without doubt, and all the production values stand up beautifully even several decades later.
Sure it's a fictionalized version of the life of the great French writer Emile Zola, however, great fiction can make a great film and that is the case with The Life of Emile Zola. One may forget that this film was released in 1937 when anti-Semitism was again sweeping the continent of Europe, and for that very reason, the word "Jew" is never mentioned and we are only given a short visual reference. To avoid lawsuits from their descendants, only Major Dort and Major Esterhazy names were specifically identified. Others are referred to as the Chief of Staff, the Minister of War, etc. Also, Dreyfus was not freed and restored to rank in 1902, the year of Zola's death, but in 1906 after being found guilty again in an 1899 retrial. These historical errors can be forgiven, because it's the films message which stands and given the current climate, the movie's message is all the more important.
The shifting focus of this film doesn't make it a frustrating experience for modern viewers. In fact, the film flows quite nicely: struggling writer, gets in trouble for his book, then the film follows Zola's success as he becomes a powerful force in society. Eventually we get to 1894, where many claim the film to zoom away from its subject, where the film begins to focus on Dreyfus. With that being said, if you sit down to watch The Life of Emile Zola, don't skip the first third of the movie, because it's every bit as moving and powerful as the dramatic court scene, most notably in the unforgettable self-defense scene in which Muni delivers an outstanding performance.
Unfortunately, had Muni not won the previous year for another biopic, The Story of Louis Pasteur, he would have received the Oscar for his portrayal of Zola. Muni was not only nominated for an Oscar for this role but also received awards from many critics groups. Today many dismiss the significant talent of Muni (one of films first devoted actors), however, one cannot deny he had a great deal with elevating the art of film acting.
Sure it's a fictionalized version of the life of the great French writer Emile Zola, however, great fiction can make a great film and that is the case with The Life of Emile Zola. One may forget that this film was released in 1937 when anti-Semitism was again sweeping the continent of Europe, and for that very reason, the word "Jew" is never mentioned and we are only given a short visual reference. To avoid lawsuits from their descendants, only Major Dort and Major Esterhazy names were specifically identified. Others are referred to as the Chief of Staff, the Minister of War, etc. Also, Dreyfus was not freed and restored to rank in 1902, the year of Zola's death, but in 1906 after being found guilty again in an 1899 retrial. These historical errors can be forgiven, because it's the films message which stands and given the current climate, the movie's message is all the more important.
The shifting focus of this film doesn't make it a frustrating experience for modern viewers. In fact, the film flows quite nicely: struggling writer, gets in trouble for his book, then the film follows Zola's success as he becomes a powerful force in society. Eventually we get to 1894, where many claim the film to zoom away from its subject, where the film begins to focus on Dreyfus. With that being said, if you sit down to watch The Life of Emile Zola, don't skip the first third of the movie, because it's every bit as moving and powerful as the dramatic court scene, most notably in the unforgettable self-defense scene in which Muni delivers an outstanding performance.
Unfortunately, had Muni not won the previous year for another biopic, The Story of Louis Pasteur, he would have received the Oscar for his portrayal of Zola. Muni was not only nominated for an Oscar for this role but also received awards from many critics groups. Today many dismiss the significant talent of Muni (one of films first devoted actors), however, one cannot deny he had a great deal with elevating the art of film acting.