It was the luck of Tyrone Power that he became the pet male star of Producer Genius Daryl Zanuck of 20th Century Fox. He was constantly finding decent adventure film properties for Power to use, resulting in a huge public following for the star.
Unfortunately in 1938 Power was lent to MGM to appear in the extravaganza historical film MARIE ANTOINETTE with Norma Shearer. He gave a fine performance as her friend/probable lover Count Axel Fersen, but his fans were puzzled, and some critics had a field day. It was like a problem a decade and a half earlier suffered by silent idol Rudolf Valentino, when he made some costume films like MONSIEUR BEAUCAIRE. Then Valentino suggested the choice of these rolls proved Valentino was a "powder puff" (i.e. homosexual). Now they suggested the same (after one film only!) for Power.
To recoup meant taking Power into a particular historical film - a western. Long before the idea of a homosexual cowboy found any open acceptance on the screen, most actors found that the most masculine American role was as a cowboy. And if Power was going to play a westerner, he should play one who did not take nonsense - indeed was downright dangerous to people he disliked. Such a person was Jesse Woodson James (1848 - 1882). Zanuck's genius at picking the right properties showed up here to such great affect, that a year later MGM copied the idea for their resident star with a huge female following, Robert Taylor, with the film BILLY THE KID.
In first rate Technicolor, we watch a screen-writer's version of Jesse's complicated and violent life, in the last days of the Civil War (for the South), fighting carpetbaggers, banks, and railroads from the North, turning bandit against these aggressors, and then controlling the best bank and train robbing gang from 1868 - 1876 in the Mississippi/Missouri Valley. It also follows the love and marriage and tribulations of Jesse and his wife Zee Cobb (Nancy Kelly), and the events leading to his assassination (which more of below) by Robert Ford (John Carridine) a member of his gang. His brother and gang partner Frank is played by Henry Fonda. His love rival but occasional ally, the Marshall is Randolph Scott. Besides Carridine, the villains are a half-way comic banker/railroad owner played by Donald Meek, and his agent played by J. Edward Bromberg (possibly his best known role). And as for that "great" editor, Col. Rufus Cobb (Henry Hull) anyone who does not think him a great character should be taken outside and hanged like a dog!
Henry King, a good journeyman director used by Power and Zanauck in several films, turned in a first rate job, even as the screenplay really improves Jesse's record. It is questionable if he was in the Confederate army or even served with Quantrill (as Frank and the missing Cole Younger, his cousin, did). But he was thoroughly tied to the lost cause, and the post war poverty that hit his part of Missouri did not endear the victors to him. Given the way money ruled the Gilded Age millionaires, one can see that the avariciousness's of the banks and railroads would have worsened the situation. But did that give Jesse and Frank and their gang the right to kill any former Union foe they encountered in what was technically peacetime?
The Northfield Bank Raid is rightly seen as the destruction of the James - Younger Gang, and as a model of overreaching. Unlike the fictional version in the story (the plan is betrayed, so the bank becomes a trap), Jesse and the gang tried to rob two banks in Northfield, Minnesota, and thought the locals there would be as indifferent as Missourians or Kansas on-lookers (they weren't). Many were shot and killed on both sides, but worse Cole and his brothers were captured and sent to prison. Jesse and Frank and several others escaped - but regrouped in Missouri. It lasted for six more years with bank and railroad robberies before Jesse was killed by Ford.
There is no denying (as Hull says at the end) that James was a criminal. But to be fair, the Federal Government and the Pinkertons did not behave well either. Keep in mind, in 1870 Federal intervention in the states was limited to the Reconstruction policies, not to policing action. But Ulysses Grant, although from Ohio, had lived in Missouri for years, and took a personal interest in the James Gang. He was willing to use the Pinkertons as his agents, including one incident where a bomb-like device was used against Jesse's mother's family, injuring several (his mother lost her arm), and killing his half-brother. So furious was Jesse about this, for a couple of months he was in Chicago seeking a chance to attack and kill Allan Pinkerton!
And then there is that final killing - Governor Crittenden of Missouri, from a distinguished Kentucky family, smashed his career in setting up a "hit" by Ford, in which Jesse was shot in the back in his parlor! I don't think any other criminal of the top rank in American History (maybe Dillinger in his demise at the Biograph Theater in Chicago) ever came across as having had his bad list of actions cleaned by the manner his death was caused. In 1881 Crittenden was considered a possible future Democratic Presidential candidate. After 1882 his career was finished. As for Ford, he was shot down years later - his killer given a judicial slap on the hand.
JESSE JAMES cuts down the negative issues a bit too much, and builds up his good characteristics too much. Yet it works splendidly as film. Other "James" films like I SHOT JESSE JAMES or THE GREAT NORTHFIELD RAID may be truer somehow, but this is the JAMES we like to recall - and the JAMES that will live.
Unfortunately in 1938 Power was lent to MGM to appear in the extravaganza historical film MARIE ANTOINETTE with Norma Shearer. He gave a fine performance as her friend/probable lover Count Axel Fersen, but his fans were puzzled, and some critics had a field day. It was like a problem a decade and a half earlier suffered by silent idol Rudolf Valentino, when he made some costume films like MONSIEUR BEAUCAIRE. Then Valentino suggested the choice of these rolls proved Valentino was a "powder puff" (i.e. homosexual). Now they suggested the same (after one film only!) for Power.
To recoup meant taking Power into a particular historical film - a western. Long before the idea of a homosexual cowboy found any open acceptance on the screen, most actors found that the most masculine American role was as a cowboy. And if Power was going to play a westerner, he should play one who did not take nonsense - indeed was downright dangerous to people he disliked. Such a person was Jesse Woodson James (1848 - 1882). Zanuck's genius at picking the right properties showed up here to such great affect, that a year later MGM copied the idea for their resident star with a huge female following, Robert Taylor, with the film BILLY THE KID.
In first rate Technicolor, we watch a screen-writer's version of Jesse's complicated and violent life, in the last days of the Civil War (for the South), fighting carpetbaggers, banks, and railroads from the North, turning bandit against these aggressors, and then controlling the best bank and train robbing gang from 1868 - 1876 in the Mississippi/Missouri Valley. It also follows the love and marriage and tribulations of Jesse and his wife Zee Cobb (Nancy Kelly), and the events leading to his assassination (which more of below) by Robert Ford (John Carridine) a member of his gang. His brother and gang partner Frank is played by Henry Fonda. His love rival but occasional ally, the Marshall is Randolph Scott. Besides Carridine, the villains are a half-way comic banker/railroad owner played by Donald Meek, and his agent played by J. Edward Bromberg (possibly his best known role). And as for that "great" editor, Col. Rufus Cobb (Henry Hull) anyone who does not think him a great character should be taken outside and hanged like a dog!
Henry King, a good journeyman director used by Power and Zanauck in several films, turned in a first rate job, even as the screenplay really improves Jesse's record. It is questionable if he was in the Confederate army or even served with Quantrill (as Frank and the missing Cole Younger, his cousin, did). But he was thoroughly tied to the lost cause, and the post war poverty that hit his part of Missouri did not endear the victors to him. Given the way money ruled the Gilded Age millionaires, one can see that the avariciousness's of the banks and railroads would have worsened the situation. But did that give Jesse and Frank and their gang the right to kill any former Union foe they encountered in what was technically peacetime?
The Northfield Bank Raid is rightly seen as the destruction of the James - Younger Gang, and as a model of overreaching. Unlike the fictional version in the story (the plan is betrayed, so the bank becomes a trap), Jesse and the gang tried to rob two banks in Northfield, Minnesota, and thought the locals there would be as indifferent as Missourians or Kansas on-lookers (they weren't). Many were shot and killed on both sides, but worse Cole and his brothers were captured and sent to prison. Jesse and Frank and several others escaped - but regrouped in Missouri. It lasted for six more years with bank and railroad robberies before Jesse was killed by Ford.
There is no denying (as Hull says at the end) that James was a criminal. But to be fair, the Federal Government and the Pinkertons did not behave well either. Keep in mind, in 1870 Federal intervention in the states was limited to the Reconstruction policies, not to policing action. But Ulysses Grant, although from Ohio, had lived in Missouri for years, and took a personal interest in the James Gang. He was willing to use the Pinkertons as his agents, including one incident where a bomb-like device was used against Jesse's mother's family, injuring several (his mother lost her arm), and killing his half-brother. So furious was Jesse about this, for a couple of months he was in Chicago seeking a chance to attack and kill Allan Pinkerton!
And then there is that final killing - Governor Crittenden of Missouri, from a distinguished Kentucky family, smashed his career in setting up a "hit" by Ford, in which Jesse was shot in the back in his parlor! I don't think any other criminal of the top rank in American History (maybe Dillinger in his demise at the Biograph Theater in Chicago) ever came across as having had his bad list of actions cleaned by the manner his death was caused. In 1881 Crittenden was considered a possible future Democratic Presidential candidate. After 1882 his career was finished. As for Ford, he was shot down years later - his killer given a judicial slap on the hand.
JESSE JAMES cuts down the negative issues a bit too much, and builds up his good characteristics too much. Yet it works splendidly as film. Other "James" films like I SHOT JESSE JAMES or THE GREAT NORTHFIELD RAID may be truer somehow, but this is the JAMES we like to recall - and the JAMES that will live.