Rossellini's films just after World War II are to be appreciated as both social comment and for artistic advancement in the matter of film. This film, like no other, deals with Germany as a vanquished nation, driven downward toward annihilation. Edmund, a young boy, made to beggar himself in order to survive, gives one of the truly authentic portraits of youth driven to despair ever seen on the screen.
How used to sentimentality we Americans had become by the time Rossellini made this desolate vision of a destroyed post-war Europe.
How coddled and led astray were we by image after image of dimpled, freckled kids clutching hold of their pets. Children the likes of Mickey Rooney or Dean Stockwell. How engaging...and yet how unreal.
Edmund isn't just a child, we learn. But more so, a country.
A nation bombed into rubble and tasting its own ashes. Stripped of everything of any value and reduced to zero. Rejected by everyone and forced into murder...in the end made to stare death in the face.
Germany YEAR ZERO will shock you. Make you wince as the tragedy of a nation corrupted unfolds, and self-destructs.
Edmund is no longer just a boy made to suffer in a world he never made. In the end he's our conscience.
How used to sentimentality we Americans had become by the time Rossellini made this desolate vision of a destroyed post-war Europe.
How coddled and led astray were we by image after image of dimpled, freckled kids clutching hold of their pets. Children the likes of Mickey Rooney or Dean Stockwell. How engaging...and yet how unreal.
Edmund isn't just a child, we learn. But more so, a country.
A nation bombed into rubble and tasting its own ashes. Stripped of everything of any value and reduced to zero. Rejected by everyone and forced into murder...in the end made to stare death in the face.
Germany YEAR ZERO will shock you. Make you wince as the tragedy of a nation corrupted unfolds, and self-destructs.
Edmund is no longer just a boy made to suffer in a world he never made. In the end he's our conscience.