Competent, slick and well photographed, but fairly banal treatment of the famous drummer.
Almost no attempt is made to visually set the story in the twenties and thirties. Thus, the film abounds in an abundance of visual anachronisms, including fifties architecture, decor, and clothing, (Misses Kohner and Craig wear Dior style shirtwaist dirndls throughout, whilst Miss Oliver wears Capri style cocktail pants!--nowhere is there a cloche hat, aigrette or dropped waist). Only slight sartorial concessions are made for the men, (a few bowler hats and double breasted vests)
These inaccuracies no doubt accrue from the fact that the picture is being pitched wholesale to the 1959 teen audience and not to their parents.
For his part, Mr. Mineo does exceedingly well, though at times he does lapse into hipster posturing, (in his finger pointing angry scenes he appears to be imitating Ben Gazzara). Given his extreme youth, however, he demonstrates more poise and depth than his teen idol peers. The only really embarrassing moments come when he is depicted as a cassock clad seminarian in prayer.
If nothing else, this film provides your only chance to see Sal Mineo in spats.
Almost no attempt is made to visually set the story in the twenties and thirties. Thus, the film abounds in an abundance of visual anachronisms, including fifties architecture, decor, and clothing, (Misses Kohner and Craig wear Dior style shirtwaist dirndls throughout, whilst Miss Oliver wears Capri style cocktail pants!--nowhere is there a cloche hat, aigrette or dropped waist). Only slight sartorial concessions are made for the men, (a few bowler hats and double breasted vests)
These inaccuracies no doubt accrue from the fact that the picture is being pitched wholesale to the 1959 teen audience and not to their parents.
For his part, Mr. Mineo does exceedingly well, though at times he does lapse into hipster posturing, (in his finger pointing angry scenes he appears to be imitating Ben Gazzara). Given his extreme youth, however, he demonstrates more poise and depth than his teen idol peers. The only really embarrassing moments come when he is depicted as a cassock clad seminarian in prayer.
If nothing else, this film provides your only chance to see Sal Mineo in spats.