Ryuhei Kitamura's films seem to be built entirely on the strength of his visual style. Unfortunately, neither I, nor anyone I know, find that style all that interesting. His fight scenes always manage to look stiff and artificial (not fantastic, just artificial), yet he always shoves them in front of plot. I figured I'd had enough after checking out Versus, Alive, and Azumi, ready to write Kitamura off as a perpetual B-Movie factory.
Just by chance I happened upon a cheap copy of Sky High at the local FYE, and the synopsis piqued my interest. I'm glad I picked it up, because it corrects a lot of the problems that have continuously plagued the director's work. He restrains himself from the campy action scenes of the aforementioned films, instead presenting competently staged fights that didn't entirely leap beyond plausibility. Best of all, the movie actually has a complete plot, and not one that seems regurgitated from a 70s martial arts exploitation flick. For the first time, I found his story to be engrossing and actually cared about his characters.
This film has bought Ryuhei Kitamura a new respect in my eyes, because I know now that he can make a real film. I hope he continues on in the direction displayed here, and resists relapsing into cliché.
Just by chance I happened upon a cheap copy of Sky High at the local FYE, and the synopsis piqued my interest. I'm glad I picked it up, because it corrects a lot of the problems that have continuously plagued the director's work. He restrains himself from the campy action scenes of the aforementioned films, instead presenting competently staged fights that didn't entirely leap beyond plausibility. Best of all, the movie actually has a complete plot, and not one that seems regurgitated from a 70s martial arts exploitation flick. For the first time, I found his story to be engrossing and actually cared about his characters.
This film has bought Ryuhei Kitamura a new respect in my eyes, because I know now that he can make a real film. I hope he continues on in the direction displayed here, and resists relapsing into cliché.