I hadn't seen this for over 20 years until tonight: it was a well-made well acted atmospheric potboiler with a touch of Mills & Boon. But the range of emotions and a similar story I think were better displayed in Humoresque.
Young girl austere looking 35 yo Ann Todd grows up under the domination of her handsome guardian limping James "Svengali" Mason who brings out her talent as a (concert) pianist. She falls in love with a handsome American band leader, but the stress of her lifestyle leads to a breakdown and attempted suicide. Grey-haired psychologist handsome Herbert Lom is the man on a mission to help her recover her senses. There's plenty of brooding handsome b&w nitrate photography and splendidly ornate décor to complement all the passion and histrionics this is a Woman's Picture par excellence! The only thing that let it down for me - and my daughter - was the last 5 minutes and the very contrived resolution, but it had to end somehow!
It must have been totally engrossing to my feminine side because the 90 minutes rushed by, but I'd also recommend it to blokes who appreciate decent competent films made at the time Britain was supposed to be on its knees and broke.
Young girl austere looking 35 yo Ann Todd grows up under the domination of her handsome guardian limping James "Svengali" Mason who brings out her talent as a (concert) pianist. She falls in love with a handsome American band leader, but the stress of her lifestyle leads to a breakdown and attempted suicide. Grey-haired psychologist handsome Herbert Lom is the man on a mission to help her recover her senses. There's plenty of brooding handsome b&w nitrate photography and splendidly ornate décor to complement all the passion and histrionics this is a Woman's Picture par excellence! The only thing that let it down for me - and my daughter - was the last 5 minutes and the very contrived resolution, but it had to end somehow!
It must have been totally engrossing to my feminine side because the 90 minutes rushed by, but I'd also recommend it to blokes who appreciate decent competent films made at the time Britain was supposed to be on its knees and broke.