singularly offensive in that it makes a pretense of addressing some of the darker issues of gay subculture while actually exploiting them for the titillation factor
reminiscent of a '50's pulp novel, with graphic and sensational violence
presents an unrelentingly grim picture of life as a gay man, and offers no redemption whatsoever
not particularly well-acted (the women could do with fewer histrionics), though it is interesting to see the leads of Maurice together again
cinematography exaggerates the sordid, but is otherwise lackluster
reminiscent of a '50's pulp novel, with graphic and sensational violence
presents an unrelentingly grim picture of life as a gay man, and offers no redemption whatsoever
not particularly well-acted (the women could do with fewer histrionics), though it is interesting to see the leads of Maurice together again
cinematography exaggerates the sordid, but is otherwise lackluster