Buñuel's second and final English language film (his first being Robinson Crusoe in 1954) is a racial issues movie, albeit quite a bit more complex than your average Stanley Kramer type of stuff. Traver (Bernie Hamilton), running from a false rape accusation, lands his boat on an island somewhere off the coast of a Southern state. That island is inhabited by only two people, although a third has only recently passed away. Evalyn (Key Meersman) is an uneducated teenager. Her grandfather is the recently deceased. Her grandfather's partner (they cultivate honey on the island) is Miller (Zachary Scott, the star of Jean Renoir's The Southerner). Miller, an older man, has designs on young Evalyn. He is also a vile racist, and delights in treating Traver cruelly. The film is very good in most regards. The script is fine, the performances (save that of Claudio Brook, a Mexican actor who delivers his English lines very awkwardly; either that, or they were dubbed badly by someone else) are wonderful. My only complaint is that the movie's denouement is a little weak. It's a gripping picture most of the way through, and it's a tad disappointing that it doesn't build to all that much. Still, a very good and underrated flick. Please note that Lionsgate's new Buñuel box set, which also includes Gran Casino, his first Mexican film, has the two films mislabeled. I popped in Gran Casino, only to get The Young One. I've confirmed that disc labeled The Young One does have Gran Casino on it. So if you want one from Netflix and not the other, keep this in mind.
Review of The Young One
