I have always had fond memories of this film ever since I first saw it on TV as a child. The comic situations seem tailor-made for the juvenile mind chiefly the slapstick sight gags involving the inevitable mishaps suffered by urbanites adapting to farm life, including uproarious encounters with barnyard animals and rural eccentrics. In fact this seems like the inspiration for the 60s TV series GREEN ACRES. The screenwriters have taken liberties with Betty MacDonald's original memoir, retaining only the shell (married couple acquires chicken farm in isolated setting) and a few of the subsidiary characters (chiefly the Kettle family, thereby ensuring their cinematic immortality). Most of the incidents are invented for the screen in a feat of imaginative skill, some inspired by passing commentary in the source material. One of the major changes is taking original characters whose ages are 31 and 18, respectively and casting them with Fred MacMurray (pushing 40 at the time) and Claudette Colbert (mid-40s). Also, MacDonald herself grew up in rural surroundings and was somewhat familiar with "farm livin'", whereas the Colbert character comes from a distinctly urban and even pampered upper-class background making the transition to farm wife that much more extreme, with funnier results. The depiction of the dilapidated farmhouse is much stronger on film than on the page. The wood-burning stove (so intimidatingly difficult to handle that MacDonald personified it with the name "Stove" in the book) is cleverly brought to life; Colbert has many wonderful moments as she interacts with this hilariously inoperable monstrosity. MacDonald's descriptions of the timid dog Sport are also rendered deftly and hilariously thanks to the interaction between a well-trained canine actor and the inimitable Colbert.
The screenwriters give the Kettle family (headed by the great Marjorie Main at her scene- stealing best as "Ma" and Percy Kilbride as "Pa") several more at-home children (in the book it's only 6 or 7 the rest being grown up, married and off to their own lives) and successfully explore choice details of their lives (farm animals in the kitchen, Ma Kettle's personal tics like itching her torso -- the family rush to dinner, the way Ma tosses a few ingredients together and comes up with extraordinarily delicious baked goods, etc.). Colbert and Marjorie Main make an excellent oil-and-water team (Main has said she and Colbert didn't exactly warm to each other during filming).
The film is well paced nothing goes on too long and every scene contains a funny or touching quality. Colbert makes you care about her character; you're rooting for her all the way as the demands of the farm are far more challenging to her than to her husband. Throughout is a parade of colorful rural characters, the Kettles being the most spectacular.
Regarding "political correctness," some people may wince at the way Colbert initially reacts to some local Indians who help her husband hunt game. She screams in terror as if they're going to scalp her. Other than that, they are portrayed as rather taciturn individuals who are always hanging around the edges of the action. But if you want florid political incorrectness of the most extreme variety, check out the original book wherein MacDonald goes on for paragraphs trashing the Indians right and left. She even describes a picnic of Indian families in which their behavior is depicted as slovenly, unsanitary, violent and irresponsible. If anything, the screenwriters seem to have been aware of the author's slanted views and done their best to minimize them. In fact, Colbert is promptly corrected by MacMurray for unnecessarily hysterical behavior.
It's also a wise screen writing move to have eliminated the baby daughter from the core of the narrative. A baby would have diffused our focus on the central characters.
So those who have never seen this, give it a try. It's light entertainment with the extra zing of the unusual. You can't go wrong with Claudette Colbert and Marjorie Main in top form.
The screenwriters give the Kettle family (headed by the great Marjorie Main at her scene- stealing best as "Ma" and Percy Kilbride as "Pa") several more at-home children (in the book it's only 6 or 7 the rest being grown up, married and off to their own lives) and successfully explore choice details of their lives (farm animals in the kitchen, Ma Kettle's personal tics like itching her torso -- the family rush to dinner, the way Ma tosses a few ingredients together and comes up with extraordinarily delicious baked goods, etc.). Colbert and Marjorie Main make an excellent oil-and-water team (Main has said she and Colbert didn't exactly warm to each other during filming).
The film is well paced nothing goes on too long and every scene contains a funny or touching quality. Colbert makes you care about her character; you're rooting for her all the way as the demands of the farm are far more challenging to her than to her husband. Throughout is a parade of colorful rural characters, the Kettles being the most spectacular.
Regarding "political correctness," some people may wince at the way Colbert initially reacts to some local Indians who help her husband hunt game. She screams in terror as if they're going to scalp her. Other than that, they are portrayed as rather taciturn individuals who are always hanging around the edges of the action. But if you want florid political incorrectness of the most extreme variety, check out the original book wherein MacDonald goes on for paragraphs trashing the Indians right and left. She even describes a picnic of Indian families in which their behavior is depicted as slovenly, unsanitary, violent and irresponsible. If anything, the screenwriters seem to have been aware of the author's slanted views and done their best to minimize them. In fact, Colbert is promptly corrected by MacMurray for unnecessarily hysterical behavior.
It's also a wise screen writing move to have eliminated the baby daughter from the core of the narrative. A baby would have diffused our focus on the central characters.
So those who have never seen this, give it a try. It's light entertainment with the extra zing of the unusual. You can't go wrong with Claudette Colbert and Marjorie Main in top form.