I was fortunate enough to see this film with live musical accompaniment at Cinecon 40 in Los Angeles (2004). Even after three years, there are still scenes that stay in my memory, and while the story may be melodramatic, perhaps stretching credibility, as cinema I found it to be compelling. This is in large part thanks to the sensitive direction of Monta Bell, and the realistic, sympathetic performances turned out by Norma Shearer and Gwen Lee.
I've read elsewhere that Monta Bell was to Norma Shearer what Josef von Sternberg was to Marlene Dietrich. The close-ups of Shearer in AFTER MIDNIGHT are breathtakingly beautiful. Her expressions are subtle and telling. She'll break your heart with a downward glance of her eyes. Bell's attention to detail is everywhere in evidence -- and those who enjoy the time- capsule effect of old films will appreciate the glimpses into the cupboards of the characters in this film.
I've read elsewhere that Monta Bell was to Norma Shearer what Josef von Sternberg was to Marlene Dietrich. The close-ups of Shearer in AFTER MIDNIGHT are breathtakingly beautiful. Her expressions are subtle and telling. She'll break your heart with a downward glance of her eyes. Bell's attention to detail is everywhere in evidence -- and those who enjoy the time- capsule effect of old films will appreciate the glimpses into the cupboards of the characters in this film.