Inconscientes (2004)
8/10
A Classy Little Art Nouveau Look at Turn of the Century Behavior
10 November 2007
UNCONSCIOUS (Inconscientes) is a stylish little Spanish film form the minds of writers Dominic Harari and Joaquín Oristrell, a tongue in cheek look at the influence of Sigmund Freud on social behavior at the fin de siecle in Spain. Not only is the story highly entertaining as a comedy, the production values and creative direction by Joaquín Oristrell make this a must-see for lovers of European art films.

The story is a bit convoluted, but then the title suggests that in the first place! If there is a line of continuity it is the effect of Freud as the one who peeped into the privacy of our lives and the strange findings he discovered. Very pregnant Alma (the always beguiling Leonor Watling) is missing her psychiatrist husband and engages the aid of her brother-in-law Salvador (Luis Tosar) to find him. Alma's sister Olivia (Núria Prims) suspects a tryst between Alma and Salvador, adding a bit more mystery to the story. The discoveries made about each of the highly assorted groups of players in the drama are made in the oddest of places - a men's steam room/gym, a transvestite ball (in which many of the characters' form the outside world are found to have very special needs!), and in places throughout the picturesque Barcelona. There is no particular resolution to this quasi-plot: the joy is in the telling of the story, and that is a total pleasure to watch.

The very large cast is uniformly exceptional and the creative aspects of the shifting of the various components of this storybook tale are as fine as have been seen in recent cinema. This is comedy border but not becoming slapstick and it is served up delectably! In Spanish and German with English subtitles. Grady Harp, November 07
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